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12-01-2002, 10:17 PM
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#1
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Difficulty factors
Most artists, especially here, would agree that a successful portrait is probably one of the toughest subjects that can be undertaken by realistic painters. It can be assumed then that most portrait painters can paint a good landscape or still life. Indeed, many can. It would seem a natural progression. This was the way for 6 centuries. It was assumed, and stated time and again by JSS. Is this the case? Is this group of portrait painters also a group of still life, figure, and landscape painters?
It's assumed one draws then paints. Paints the easy stuff then the hard stuff. It's a natural progression.
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12-02-2002, 12:03 AM
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#2
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Sargent
Like Sargent...
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12-02-2002, 12:04 AM
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#3
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Or...
interiors...
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12-02-2002, 12:06 AM
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#4
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Fechin
Drawing...
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12-02-2002, 12:08 AM
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#5
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Fechin oil
landscape...
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12-02-2002, 09:59 AM
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#6
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PAINTING PORTRAITS FROM LIFE MODERATOR FT Professional
Joined: Nov 2001
Location: Loveland, CO
Posts: 846
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Tim: I would agree with you that some proficiency in painting multiple subjects makes one a better rounded painter and is worth pursuing.
I find myself doing a lot of figure work with landscapes as part of the painting, and I have done one or two still life paintings, but I lit them poorly and it shows in the painting. I need to do more.
BTW: I love that Sargent composition. It is so unusual and it really doesn't look - to me - like his normal work. The Fechin portrait is wonderful too - that is a man who understood value!
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12-02-2002, 11:30 AM
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#7
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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No brainer
Painting a portrait is the most difficult subject for an artist because any error is greatly magnified. If an eye is moved one iota to the left it no longer looks correct and the likeness suffers.
In the portrait there can be drapery and other props. All are still life objects. The background can contain landscape elements. And even if it is simplified it still needs to be considered spatially and atmospherically. It's all about perception and interpretation of what is in front of the artist.
Many so-called great artists couldn
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12-02-2002, 11:38 AM
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#8
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Sargent could do anything he wanted
This is a painting I had the great pleasure of seeing yesterday at Sothebys Auction House. A mere $1,000,000 to $1,500,00 takes this baby home.
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12-02-2002, 12:16 PM
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#9
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Today
I guess what I find interesting is how many artists today focus and produce only landscapes or portraits. I grant that many landscape painters can't draw well enough to do portraits and many will say so directly. But in the past artists painted everything. I'm thinking of Da Vinci, Rembrant, David, Bouguereau, Benson, Paxton, Sargent, Chase, on and on. It seemed the norm rather than the exception. What changed? And was the change for the better?
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12-02-2002, 12:20 PM
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#10
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Inactive
Joined: Jan 2002
Location: Siloam Springs, AR
Posts: 911
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Marvin
That's a nice one I'd not seen before. I saw a portrait of a young girl by him (in person) recently that I had never been very impressed with in print. The work was altogether stunning in person.
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