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Old 09-22-2009, 07:49 PM   #1
Claudemir Bonfim Claudemir Bonfim is offline
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I've already done something like that before. I recommend you to take a look at Daniel Greene's pre-mixtured palette. You can mix it all in about 20 minutes and you won't regret taking the time to do so.
Do two fast sketches before the event, this is a great warm-up.
Vignettes are fast and charming.
Well, I'm against the photographs, specially if they are taken by another person, but that's my opinion only. I think that most professional photographers don't know anything about portraits and amateurs are a total disaster.
I wish you the best of luck.
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Old 09-22-2009, 10:35 PM   #2
Mara Schasteen Mara Schasteen is offline
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Thank you all for your suggestions, and for taking the time out to entertain my question! The event is over, and I hate my painting. Ha! The good news is, this very amazing and beautiful musician has agreed to sit for me for a REAL portrait soon.

Well, I brought several lights with me, but ended up relying on the street light nearby for illumination. I had every single thing against me: crowds standing between me and the stage, people tripping over my easel, everyone talking to me, no lighting whatsoever on the band ... even with all those obstacles, the painting was a hit for the people watching and I sold two other plein air paintings as a result.

If I get the guts to expose myself in such an unflattering manner, perhaps I will post a picture of this disasterous one hour portrait.

Now it's time to get back to business ...

PS: Claudemir, I absolutely loved your honest statement about photos! I agree!
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Old 10-02-2009, 04:14 PM   #3
Vianna Szabo Vianna Szabo is offline
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Hi Mara,

I agree that you were asked to paint what is nearly impossible. While I have never painted moving rock stars I do go plein air painting at night. Some of my favorite places to paint are carnivals. The lighting is so odd and there is so much color it is a real feast for the eyes.

Here are some tips for any one who wants to attempt nightime painting.

Use a limited palette. I use three primaries plus white and lay them out the same way every time. Doing this makes it easy to know the value limits of the palette. With only the three colors available I know exactly what each color will do even if I can't see that well. Night time painting really comes down to trusting your palette.

Use a clip on light on your palette and your canvas. I use a full spectrum "Mighty Bright". I have a pochade box so I can place the lights on the edge of the box.

Bring bug spray. Of course when you paint at night with a light in a secluded area every bug around comes to visit. Usually they bite me before they throw themselves into the paint.

Good luck with your commission.
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Old 10-05-2009, 12:23 PM   #4
Mara Schasteen Mara Schasteen is offline
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Vianna, such great tips! This makes me want to go out and try painting in the dark again just for the challenge!
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