Joanne

[Michele Rushworth]

This is such a terrific painting. You wrote that you created this to build your portfolio. You're going to make a huge splash in the portrait market!

[Karine Monaco]

Hi Jonathan,

I'm so glad that you post some new work!
Powerful.
Thank you for being yourself when you paint. This painting is great and strong because you don't forget who you are when you paint. Keep being yourself, be confident, and have fun

Oh, I have a question for you... It looks evident to me that you have been nurturing the desire of painting your model for a certain time before starting to actually paint her. Is it the case?

Have you had the occasion of painting someone that you don't know in a short delay (i.e. without having a lot of time to impregnate yourself of the future painting)?

I am asking this because I came to realize that I personnally need a LOT more time to nurture the image I have of someone and the will of painting him/her inside of me than for actually painting the portrait.

So I wondered if you felt the same?

Anyway, thank you again for sharing this inspiring piece!

Sincerely,

Karine

[Sharon Knettell]

Beautiful job Jonathan.

The transparency of the blouse is beautifully handled. The face is elegant but riveting.

[Linda Brandon]

Jonathan, this is a terrific painting, intense and striking. I love your paint handling here and we get such a strong impression of your subject's personality. Thanks for the closeups, what a treat!

[Terri Ficenec]

Jonathan -- this painting has such impact! Really impressive how strongly you've conveyed her strength of character -- a terrific addition to your portfolio!

[Alexandra Tyng]

Originally Posted by Jonathan Hardesty

This is actually a painting of my mother-in-law.

Of course you won't believe this after the fact, but my first thought was that she was someone you knew well, but not your mother, so perhaps your mother-in-law. I love the impact of her face. It's so strong and beautifully painted.

[Thomasin Dewhurst]

A very nice hearty but subtle painting. Very good work.

[Jonathan Hardesty]

Thanks for the great response everyone! I really appreciate all the kind words. I am definitely new to the portrait arena so it's good to hear positive feedback from professionals like all of you. I love painting portraits and I have learned a ton from just searching through this website. I know I will need more guidance with the business side of portrait commissions, but I definitely feel confident with the strong foundation of professional artists gathering here.

I wanted to answer some of the questions as well:

Oh, I have a question for you... It looks evident to me that you have been nurturing the desire of painting your model for a certain time before starting to actually paint her. Is it the case? Have you had the occasion of painting someone that you don't know in a short delay (i.e. without having a lot of time to impregnate yourself of the future painting)?

I have painted some individuals I didn't know or didn't like very much. It's much more difficult for me to connect to the individual and that is transferred to the canvas. Viewers don't know why they are bored with the portrait...but they are certainly bored with it. After creating a couple paintings like that I now spend a lot of time with individuals before I start painting them. When people come into my studio (even if I have painted them before) I spend about 20-30 minutes just talking with them and getting to know them better. Even if they aren't the nicest of individuals I can still find the good qualities in them and portray those. Even nasty individuals have qualities you can respect like ambition, confidence, etc...

When I was training models were sort of like cattle herded in every day so that we could have something "real" and "anatomical". We knew about their lives a little but there was no interplay between artist and model. I suppose training cannot be any other way, but I was happy when I finally had my own studio.

So - when are you entering it into a contest?

....I don't know do you think it would have a chance of winning something? I see some pretty amazing portrait/figure paintings entered in contests. If you have any contest suggestions though perhaps I can enter it and see what happens. Thanks for the vote of confidence!


Thanks again everyone for the encouragement. I read each and every comment.

[Tom Edgerton]

This is just fabulous...

[Julie Deane]

Jonathan,

Why not give the competitions a try? This is a great piece and I think you will be pleased with the results if you enter. Maybe one regional portrait society, one national....

I wouldn't bother with general art society competitions unless the juror shows a prejudice towards realistic art and portraits specifically. Portraits have made a good showing lately in general exhibitions, but if you want good feedback for a portrait, enter a portrait competition. Better yet, enter several!