The Wood Carver

[John Reidy]

Here is a close up of the subject but it is still a poor representation. It is @ 72 dpi, 1 compression jpeg, 400 x 536 pixels.

I have edited this to post a better version, same size and format but compressed at a 5 level.

[John Reidy]

And one of his head. I wish these images were clearer. Can anyone help?

I have added a new version here, too.

[John Reidy]

And one of his hands.

[John Reidy]

I removed this post since I edited the first picture

[Alexandra Tyng]

John,

I really like this one! I guess I relate to it personally because I like painting people in their natural surroundings. You really see the environment as an extension of your father-in-law. He' s enclosed by his work area (nice angles!) but it does not feel claustrophobic. I like how you included the details (but not too many) of his wood carving business. Each one is well-placed and the whole has a natural rather than contrived look: "real life" rather than "stage set." Congratulations on a fine piece.

[Steven Sweeney]

John,

Great painting, super job on the figure and the flesh tones, drawing, and gesture.

If this happens to be the piece you wanted comment on in terms of focus, double post it in that thread. The Unveilings area isn't available for that kind of input.

[Claudemir Bonfim]

Great painting John.

[Mischa Milosevic]

John this is awesome! Sure the details and the drawing is all there but it is the values that do it for me. Grate job! Bay the way, amongst other things, I too like the way you represented the shirt.

Sincere regards,
mischa

[John Reidy]

Thank you Mischa,

I appreciate all of the nice comments. When I saw the photograph I knew that the shirt was one of those things that would make it or break it. I'm happy that so many have made such positive remarks.

Thanks again.

[Pat Graham]

John, this piece seems to have an appealing, limited palette feel to it. Am I correct? I could look at it for a long time (in fact, I did!)

Pat