 |
|
10-17-2005, 07:15 AM
|
#21
|
Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
|
DAve -
RE: your question of how many lights to use - I don't know how many of these bulbs for sure, but one of these along with a shoplight with two "daylight" flourescent tubes and some ambient light works pretty well for me. It's a strong light - I would think two, even in a dark room, would be sufficient. I used it by itself yesterday in a room with minimal daylight to give sufficient light at 100 ISO.
Kim - my goof! It's been awhile since I looked up the post - it was Chris Saper. Sorry, Chris! Here's the link: http://forum.portraitartist.com/show....1000bulbs.com
Julie
|
|
|
10-25-2005, 12:06 PM
|
#22
|
Juried Member
Joined: Sep 2005
Location: Antwerp, Belgium
Posts: 56
|
Dave, I like this painting. I have a lot of 'technical' critique, but that does not seems important here. I like it because you are not trying to make 'a nice picture' here. It is raw and pure and powerful. And in my view the paper towels can stay. They add to the whole of connotations that people can make seeing this painting.
Regards
Jan
|
|
|
10-25-2005, 12:10 PM
|
#23
|
SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
|
Keep 'em
I agree with Jan's praise. Dave, absolutely keep the towel roll!
Garth
|
|
|
10-25-2005, 05:04 PM
|
#24
|
Juried Member
Joined: Jul 2005
Location: Toronto, Canada
Posts: 30
|
Quote:
Originally Posted by Julie Deane
DAve -
RE: your question of how many lights to use - I don't know how many of these bulbs for sure, but one of these along with a shoplight with two "daylight" flourescent tubes and some ambient light works pretty well for me. It's a strong light - I would think two, even in a dark room, would be sufficient. I used it by itself yesterday in a room with minimal daylight to give sufficient light at 100 ISO.
Kim - my goof! It's been awhile since I looked up the post - it was Chris Saper. Sorry, Chris! Here's the link: http://forum.portraitartist.com/show....1000bulbs.com
Julie
|
Hi Julie. Thanks for getting back to me on these lights. I ended up buying a few of the philiips 15W daylight lights and a sort-of octopus lamp so that I can plug in multiple bulbs. These lights are the coolest I've seen but I wouldn't have a problem warming up my environment if needed. I've tried one round of painting a study under stictly daylilght bulbs and I think it is an improvement since I find the colours on my canvas look stronger and more consistent in different lighting conditions.
Dave
|
|
|
10-25-2005, 05:15 PM
|
#25
|
Juried Member
Joined: Jul 2005
Location: Toronto, Canada
Posts: 30
|
Quote:
Originally Posted by Jan Verhulst
Dave, I like this painting. I have a lot of 'technical' critique, but that does not seems important here. I like it because you are not trying to make 'a nice picture' here. It is raw and pure and powerful. And in my view the paper towels can stay. They add to the whole of connotations that people can make seeing this painting.
Regards
Jan
|
Hi Jan. Great to see you on this site! Yeah, my goal in painting is all about being as raw and pure as I can be. To me, that's what makes a painting stronger than a skillfully rendered image in a more refined, reproducable medium. That being said, I always appreciate technical critiques since I'm always trying to improve on that. The towels initially struck me as simply an abstract compositional problem but I guess I should expect people to interpret beyond the artists intentions.
Dave
|
|
|
10-25-2005, 05:20 PM
|
#26
|
Juried Member
Joined: Jul 2005
Location: Toronto, Canada
Posts: 30
|
Quote:
Originally Posted by Garth Herrick
I agree with Jan's praise. Dave, absolutely keep the towel roll!
Garth
|
Thanks Garth. I haven't touched this painting since I posted the image here. Lately I've had a system where there's at least two paintings in progress. The painting that is in worse shape always gets the attention. I managed to really destroy another painting the other day. Since then, I'm not certain I'm going to mess with this one..at least no time soon. Although there are a lot of things that I could improve, I'm quite satisfied with the things that are right.
Dave
|
|
|
Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
|
|
Posting Rules
|
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts
HTML code is Off
|
|
|
Similar Topics
|
Thread |
Topic Starter |
Forum |
Replies |
Last Post |
The nude in painting
|
William Whitaker |
Nude Unveilings, All Medium - Moderator: The Board |
1 |
02-19-2005 06:05 AM |
"La familia", or, how to damage a painting - varnish removal
|
Mike McCarty |
Paints, Mediums, Brushes & Grounds |
8 |
07-02-2003 11:05 AM |
Wax as a medium
|
Rochelle Brown |
Paints, Mediums, Brushes & Grounds |
24 |
06-06-2002 02:27 PM |
Returning to an old unfinished painting
|
Mary Reilly |
Techniques, Tips, and Tools |
2 |
04-08-2002 05:54 PM |
Painting grins
|
Peggy Baumgaertner |
Techniques, Tips, and Tools |
2 |
02-11-2002 10:14 AM |
|
|
|
All times are GMT -4. The time now is 06:17 AM.
|