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Old 10-24-2005, 11:37 PM   #1
Kimberly Dow Kimberly Dow is offline
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Oh - I just saw all these replies.

Michele, your absolutely right. It is a whole different ball game. There are commissions, which is money upfront and then there is trying to sell paintings that are your own ideas. Most clients are not going to be interested in showing strong emotions in their portraits. I keep thinking if I lived in a different part of the country I'd be doing more commissions. I love doing the figurative work, but you never do know when one is going to sell. I've personally had better luck with selling figuratives though. I wouldnt turn down decent commissions, but I like going the gallery route too. There is a certain amount of joy in being able to develop your own ideas and express them. There arent clients to contend with, but you still have to consider the market to some degree. I wouldnt want to get into the real anguish and despair type of paintings either....unless it could be done and still be beautiful maybe.

For me personally, the perfect balance would be to do figuratives and a good healthy amount of portraits as well. That would be the best of both worlds.

Alex, thank you! I love hearing that you are wondering about what she is thinking. Just that it would be interesting enough to wonder about means its sucessful to me.

And by the way, my daughter just got braces last month - wish me luck!
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Old 10-25-2005, 09:42 AM   #2
Michele Rushworth Michele Rushworth is offline
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Quote:
By the way, do people know The Artist's Complete Guide to Facial Expression ?
Gary Faigin is extremely thorough in breaking down the anatomy of emotional expression in the face, and I've found this a useful reference for myself, and for teaching.
Yes, the author runs the Art Academy here in Seattle. A nice guy and very talented artist, too. When I met him I thanked him for writing the book and told him it had saved my hide more than once when faces I was painting needed help!
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