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05-16-2005, 04:52 AM
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#1
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Juried Member
Joined: Feb 2005
Location: High Peak Derbyshire UK
Posts: 106
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Thanks everyone for the input, I actually agree with the points about the harsh transition but I went to such pains to keep the paper clean this time I wanted some input before I carried on.
I have made the adjustments to the background and the fingers but I won't bother posting them, I am definitely putting this one behind glass now.
It was a good practice of a more detailed look at a face and worth doing it for that.
Carolyn.
After reading Cindy's post in the oil critique section I decided to repost after taking onboard all valued input
Last edited by Carolyn Bannister; 05-16-2005 at 08:27 AM.
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05-23-2005, 04:03 PM
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#2
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Juried Member
Joined: Mar 2004
Location: 8543-dk Hornslet, Denmark
Posts: 1,642
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Now I am really nitpicking! These small frames don
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05-23-2005, 05:08 PM
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#3
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Juried Member
Joined: Feb 2005
Location: High Peak Derbyshire UK
Posts: 106
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Allan,
I couldn't agree more
To me it looks childish and amateurish
I've actually put it away in and started on a new one but now you've got me thinking about it again.
I thought about cropping it and just keeping the head and shoulders but I should rise to the challenge and figure out a way to make it work, I really would like to keep the depth to the room.
How about a curtain from ceiling to floor and make the whole of the back of the room very dark?
Maybe that's what I liked about the ref in the first place.
Thanks for taking the time to critique, I really do value your input.
Last edited by Carolyn Bannister; 05-23-2005 at 05:09 PM.
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05-23-2005, 07:58 PM
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#4
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PHOTOGRAPHY MODERATOR SOG Member '03 Finalist Taos SOPA '03 HonMen SoCal ASOPA '03 Finalist SoCal ASOPA '04 Finalist Taos SOPA
Joined: Dec 2001
Location: Tulsa, Oklahoma
Posts: 2,674
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I think this composition would be best suited to a full completion of the background.
When I first saw your reference I thought that it was the vertical wall segments, with their variations in value, that connected the foreground to the background. I think you could have more success by re-visiting your reference and covering the entire paper.
This is worth taking further, I think.
__________________
Mike McCarty
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05-25-2005, 05:13 AM
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#5
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Juried Member
Joined: Feb 2005
Location: High Peak Derbyshire UK
Posts: 106
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Not the best photo, it's blowing a gale outside, it was a struggle sticking it to the shutters (thats a professional photography term  )
For some reason resizing it has made the table look a bit bent, but I think I've got away with it for real.
Is it a  or a  this time, if its a no I'm going to crop it
ps. Why do I feel just like I did in school when I always got ' could do better' on my reports.
Last edited by Carolyn Bannister; 05-25-2005 at 05:51 AM.
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05-25-2005, 06:06 AM
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#6
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Juried Member
Joined: Mar 2004
Location: 8543-dk Hornslet, Denmark
Posts: 1,642
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Quote:
Originally Posted by Carolyn Bannister
Is it a  or a  this time, if its a no I'm going to crop it 
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Please don
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05-25-2005, 07:08 AM
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#7
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Juried Member
Joined: Feb 2005
Location: High Peak Derbyshire UK
Posts: 106
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Phew, breathes a sigh of relief!!
Allan,
Tusinde tak, your  means a lot to me, I really admire your work. It was Mikes helpful comments about the vertical lines that made me realise what I had seen in the original ref.
I think I will stick to using my own ref's in future, they make much more sense to me.
By the way Demark is a beautiful place we lived in Dragor and Kobenhavn for a while, I really enjoyed it!
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05-29-2005, 05:35 PM
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#8
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Juried Member
Joined: Apr 2004
Location: London,UK
Posts: 640
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Carolyn, maybe you would be interested in taking a look at this painting, which won the BP portrait award two years ago.
http://www.npg.org.uk/live/prelbpportraitwinner.asp
Many many compliments for this very accomplished piece
Ilaria
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