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Old 05-27-2002, 09:16 PM   #8
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
I agree with all that Stanka has said plus the following:

I meet with the child before we schedule the shoot. We plan the shot and make sure the child is dressed in "paintable" clothing that he or she agrees with. I always ask the child how they want to look...we're partners in this afterall.

I shoot indoors in my studio with a strobe...you don't get anything out-of-focus this way (and that can be tough with a wiggley kid). They are more apt to behave on your turf.

I place them on an elevated platform with a backdrop and tell them to pretend that they are on a stage. This clearly defines their area and keeps them from running around. It also saves my back on a long shoot. I got this idea a long time ago while watching a children's photographer at Sears...some of them get pretty good pictures, so why can't we?

Keep ice cream in your freezer for small and deserved breaks.

Sometimes I place a TV with a VCR behind my camera with a Disney-something videotape to keep 'em amused and looking in my direction.

When they wave or "mug" at the camera, I shoot with an empty camera until they forget to do it and relax. If I don't do this, the cost of wasting that much film dents the bank account.

I will reschedule the shoot as many times as necessary in order to get the shot I need.

If you settle for a poor photograph, you cannot produce a good painting. I am glad that you are willing to reshoot this one. Any chance you could do it indoors and get some control over your pose and lighting?
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