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03-07-2005, 12:02 PM
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#1
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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HI Vianna and Mary,
I moved this thread over to Restoration, as I hope it will get more atttention there.
Vianna what a lovely piece! I'm sure there is a way to repair it, I just don't happen to know it. This is definitely one of the reasons to paint on a rigid surface.
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03-07-2005, 12:43 PM
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#2
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Juried Member
Joined: Feb 2002
Location: Romeo, MI
Posts: 200
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Your right Chris, This is definitely one of the reasons to paint on a rigid surface. Do you have a favorite?
Vianna
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03-08-2005, 08:39 PM
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#3
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Vianna,
I've been using the www.newtraditionsartpanels.com L-600 - there'a lot of info on the Forum , just give it a quick search.
I just received some realgesso panels from Howard Daniel ( Rob Howard's son.) They feel like ivory and I can hardly wait. They will send free little samples.
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03-09-2005, 01:12 AM
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#4
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Associate Member
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
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I don't know if this method will pass museum standards, but as an old sewing expert I would repair it with a linen patch on the back. There are a number of fabric glues on the market which you would apply to your linen patch (make sure you get a permanent glue, not a temporary one). Then press your patch onto the back side of the painting and smooth it with your fingers to flatten it. You may need to use an iron to help you flatten the fibers on the front. But do this from the back side with a press cloth. Trim any loose threads from the rip before you do this.
As I said before, this may not be the archival method, but it's what I would do, and I've done it many many times in my old business (custom bedrooms).
Jean
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03-09-2005, 11:12 AM
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#5
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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I think the idea of attaching a small piece of canvas/linen to the back of the hole would prevent the tear from getting worse and would minimize the look of it from the front, but it wouldn't make the hole disappear completely. I don't think anything would.
Also, you'd need to be very cautious about any glue or other substance you use to attach the piece to the back. Anything that's not archival will damage your painting because of the acid coming into contact with the raw linen fibers on the back of the painting.
Hate to say it, but if this is an important painting you should talk to a professional conservator (contact your local art museum) or begin the painting again.
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03-10-2005, 01:16 AM
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#6
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Associate Member
Joined: Sep 2002
Location: Madison, WI
Posts: 1,567
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Hello again,
I found this link on repairing a torn canvas. Sounds like a lot of work, I also read that gesso can be used as your "glue".
http://www.restoration-advice.org/Pa...ml#Tears-holes
Jean
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03-12-2005, 07:08 PM
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#7
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Juried Member
Joined: Feb 2002
Location: Romeo, MI
Posts: 200
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Temporary Solution
Hello everyone and thank you!
I have been a little overwhelmed with trying to fix the hole but I have a temporary fix. I am very lucky because this is not a commission it is for my own use and perhaps competition.
There are some great ideas out there for fixing this problem. I have heard everything from using hot glue to remounting. A very kind gentleman named Gary Watson sent me very detailed advice on how to glue and remount the piece. I still may do this in the future. I am under a time constraint (I have to show it this week) so I took the easy way out. A friend of mine who is a framer suggested gummed linen tape since it is archival and can be removed if further work is needed. Her advice was to iron my painting from the back with paper between the iron and the linen before the patch was put on. I was astounded by how ironing alone flattened the tear and made it impossible to feel from the front. She then placed the lightly moistened tape over the tear. There is a problem with the outline of the patch showing up in certain light but I can live with that for now. On the front I lightly rubbed gesso to the area to coat the raw threads of the canvas and am now repainting the area. I brought the canvas to my painting group and asked them to find the mistake. They all gave me a critique on the work but no one noticed the damage so I think I am OK for the mean time. Thank you again for all the advice and I will ask Gary's permission to post what he sent me. I have also posted the painting, you can play "Where's Waldo?" and see if it is that obvious.
Vianna Szabo
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03-12-2005, 08:13 PM
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#8
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Juried Member PT Professional
Joined: May 2004
Location: Americana, Brazil
Posts: 1,042
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Do not use glue!!!
Sometimes using glues may shrink the area where you applied it.
You can use those sorts of tapes (sorry, I don
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