SORG Easel

Leslie Ficcaglia · 11-17-2004, 09:48 PM

Patricia and Joyce, thanks! It's a beautiful studio; because it's a remodeled cottage which was on site already we were able to have it much closer to the river than we'd be able to build if it were new construction. Our house is 100' away from the river's edge per code but the studio is only about twenty or thirty feet away. To the right of the dog bed is a sliding glass door which leads onto a deck and then down a few steps to a short walk to the dock. The river's narrow but tidal and navigable, and we just love it here. We've had the place for 32 years, but the studio (as a studio) only for the last seven. People sometimes bring their plein air classes down here to paint the view. And it's also quiet; you can hear birds and watch kingfishers and great blue herons and osprey looking for their dinners. It's a shame I specialize in portraits.

The WIP isn't typical of my style; it's a posthumous portrait and more formal than most of my work. I just finished a painting of a little girl which uses our pond as the setting. As soon as I have a decent photo I'll post it in Unveilings.

The paper towel holder is extremely handy; I used to have one fastened to my taboret, but this is much more convenient. What I really like is the tray, though. It holds my phone and my CD remote as well as some photos and my glasses, which I take off to paint. I don't use the containers for medium or solvent, though; not sure what I'll do with them. For those who use a lot of those materials they'd work nicely.

Linda Brandon · 12-05-2004, 01:28 PM

My Sorg Easel turned out to be much easier to assemble than I dreamed it would be, and it was made even easier by David's seperate mailing of very clear instructions (in addition to the clear instructions included with the easel).

However, I managed to fray the pulley rope when assembling it and so I don't have completely smooth up and down motion yet, but I plan on replacing the rope today.

I have the easel assembled to the "high" setting, and I have a 60" commission that I need to start on soon; I'm looking forward to working on it with this easel. (By the way, I got around to painting my studio dark grey this past summer, what a difference it makes!)

This is a beautiful easel, very solid and well constructed and in my opinion is an incredible value. I'm not a fan of the paper towel holder, though; that will have to go.

Leslie Ficcaglia · 12-05-2004, 05:54 PM

Quote:

Originally Posted by Linda Brandon

This is a beautiful easel and in my opinion an incredlible value. I'm not a fan of the paper towel holder, though; that will have to go.

You have a lot more open space than I do, Linda! But why don't you like the paper towel holder? I think it's neat!

Interesting how we all work in different ways.

Linda Brandon · 12-05-2004, 11:58 PM

Hi Leslie,

One reason why I don't use a roll of paper towels is because I don't really need a whole sheet at a time, so I cut up those blue Costco shoptowels into smaller squares and keep a stack of them handy.

The other reason is because I'd rather use cut-up old shirts. Something Michael Workman said in a workshop several years ago has stuck with me. Workman is a tonalist landscape painter who strives for mystery and spirituality in his work. One of the workshop students asked why he was using an old shirt instead of a paper towel and he said that he was using one of his favorite old shirts and it gave him a lot of pleasure to hold it and make it useful to him one last time. Then he said something to the effect of "If you think all of life isn't interconnected, you're fooling yourself. Things are connected in ways which we can only begin to understand."

I know a lot of artists who talk this way, especially those who try to portray a sense of mystery in their work. I find all of this very interesting.

Enzie Shahmiri · 03-09-2006, 08:52 PM

I just ordered my new Sorg easel as well and after reading all these posts I am feeling more and more comfortable about this investment. Since December I had been working on a painting which involved a great amount of detail (working with mini brushes) and my right shoulder blade has been in constant pain. Even while standing at my easel, I would experience lower back pain. Needless to say, the old easel is sturdy but the artist is slowly falling apart.

I couldn't handle the constant adjusting and readjusting of the multitude of knobs anymore and figured there had to be something out there that is more artist friendly.

Do you have any suggestions what I should look out for before setting up the easel?

Leslie Ficcaglia · 03-09-2006, 09:25 PM

Enzie, I found the easel easy to set up, although it's a lot better to have a second person to help you because it's not a small piece of equipment. I've had mine up for a while and I still love it. It doesn't glide up and down effortlessly but it certainly moves a lot more readily than any other easel I've ever had, and I don't think I'd want it to slide more easily than it does because then it might slip when I don't want it to.

So no cogent advice, but I do congratulate you on a very wise purchase. I hope it helps all those aches and pains. Have you tried different angles, or use of a stool? I tend to hold my collection of paint-filled brushes in my left hand and was having serious carpal tunnel issues because my hand was in an upward position, so I've had to remember not to do that. Sometimes it's just a question of figuring out what your body can tolerate. A Sorg easel was a great first step, I think. Do let us know how you like it once it's up.

Enzie Shahmiri · 03-10-2006, 11:44 AM

Hi Leslie,

Thank you for your reply. I have given up on changing the angle because it involved taking the painting off the easel and readjusting 4 different knobs. By the time I was done adjusting I would forget where I had left off. Way too complicated!

I am happy to hear that you are still happy with your Sorg Easel. I have read many good reviews on line. My only concern at this point is weather I will have enough room to accommodate the stay wet palette (that box like thing), which I keep my paints in. Due to the shoulder pain I have stopped using my hand held palette and really need to have this gizmo on the tray.

It sounds like David gave the design great thought and what impressed me the most was that he stands behind his product and responds to customer inquires. I am really excited to have it all set up and will share my thoughts with you about ease of set up and operation.