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Old 05-05-2004, 10:02 AM   #11
Mike Dodson Mike Dodson is offline
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Beautiful painting, model and pose. I love those vibrant flesh tones. One of my favorites also.
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Old 05-05-2004, 11:41 AM   #12
Chris Saper Chris Saper is offline
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Thank you all for such nice comments. I ahve been working hard to get my photographic resources under control, and it makes everything SO much easier when you can see what you're doing.
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Old 05-05-2004, 11:42 AM   #13
Sergio Ostroverhy Sergio Ostroverhy is offline
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nice work

I find the cold colors on the hair are really successful
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Old 05-05-2004, 01:24 PM   #14
Leslie Ficcaglia Leslie Ficcaglia is offline
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Chris, I love this. The slightly emphasized lines in some areas ( her near shoulder, her back, the shadow under her right hand as it lies on her arm ) give this heightened energy and interest. Beautiful portrait!

Leslie
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Old 05-05-2004, 02:54 PM   #15
Richard Huante Richard Huante is offline
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Awesome, Chris. Is this the one I saw in progress at the Farmer's Market (where Chris demonstrates here in Phoenix)? Great profile view!

Sincerely,
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Old 05-05-2004, 07:22 PM   #16
Linda Brandon Linda Brandon is offline
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Definitely my new favorite Chris Saper painting!

So glad you're getting so many well deserved hurrays. You deserve all of them.
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Old 05-05-2004, 09:03 PM   #17
Marvin Mattelson Marvin Mattelson is offline
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I agree. This is your best so far. Good going!
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Old 05-05-2004, 11:26 PM   #18
Heidi Maiers Heidi Maiers is offline
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Simply beautiful Chris,
Thanks for posting it here for our enjoyment. I find it interesting that the ear, even though it truly is red, works well with the rest of the painting. I would love to sculpt that face!
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Old 05-06-2004, 10:16 AM   #19
Michele Rushworth Michele Rushworth is offline
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Chris, can you tell me what the shape is behind her back. I've been staring at it and trying to figure it out. Is it a sash, or a shadow?
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Old 05-06-2004, 06:53 PM   #20
Chris Saper Chris Saper is offline
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Michele,

Despite my best efforts at Photoshop, I still have darks blocked up a bit, but the dress is just a length of fabric grabbed into a bustle-like sash at the back.

Here are some of the interim steps in this painting:

First, the oil sketch;
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