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Thomasin, this is wonderful. The pencil strokes give the effect of a soft etching. The face emerges from the background not unlike the way the figures and faces in your paintings bulge out of the flat surface as if they are struggling to move and change expression. Do you have any more of these? And do you still have the sculptures? I would love to see the sculpture you were working from, just out of curiosity, if you are willing to show it.
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