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Old 12-16-2007, 04:28 AM   #16
Justin Snodgrass Justin Snodgrass is offline
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Joined: Feb 2006
Location: Redlands, CA
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Quote:
Originally Posted by Enzie Shahmiri
I love it as well. There is such substance to that little boy. Nicely done!

The way you have explained your work progress on your site is also very informative and should be easy for any client to follow.
Enzie,

Thank you for the reply. Iranian Man and A Lifetime on your site are amazing! Very powerful. looking back, I am honestly not 100% sure why I wrote the break down of the process. I am currently a stay-at-home dad with my two little ones (3 and 7). So, I can't realistically work as a commissioned artist (for a few more years anyway). I suppose writing it all out was a way of being able to step back and gain an objective perspective of the process. At any rate, thanks again.


David,

Thanks for the comments and advice. I was starting to question if this forum was a good fit for me. My guess is that Da Vinci would go with Cannon.


I can make armoured cars, safe and unassailable, which will enter the serried ranks of the enemy with their artillery, and there is no company of men at arms so great that they will break it. And behind these the infantry will be able to follow quite unharmed and without any opposition.


-Leonardo DaVinci

Sure seems like he was aiming to make things more efficient. In all seriousness though, I understand the appreciation behind grabbing a pencil over a camera and choosing a live model over an image. For the experience of the viewer, it seems that it is the end result of a work of art that bears more weight. In the case of the artist, maybe it is the process by which the art was created that is more important. Art is such an individual experience at every level, I suppose it is hard to say.

I have at times found it difficult to validate some abstract and minimalist works unless the artist has, at some point, shown the ability to accurately recreate a given subject. I have said before that realism is a means toward abstraction. I see that this is, in many ways, an opinion that is similar to Mischa's. Art is such a complicated matter in practice and in theory... and that is one of the reasons why I love it.
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