The Plasterers

[Alexandra Tyng]

Terri, John, Maria, Joan--thank you all! I've re-posted the photo of the whole portrait because I notied the shadow was much darker, browner and less transparent than it really is. Hopefully the new image is more accurate, though it's now last rather than first.

Maria, to answer your question, I wasn't as clear as I should have been when I said I had to "work fast." What I meant was I had about an hour and a half to get all the information before they finished the job, and they are not the type to pose idly between jobs. I only had time to do a few sketches and take photos. It was a gloomy day. The only light was from a light bulb in the ceiling, so I augmented that with a daylight spot as near to the bulb as I could get it. They actually were glad to have the extra light to work by. As they worked, I asked them to pause and do different things. When the job was finished I just prayed that I had captured what I wanted to capture! Usually I do a color sketch in oil but it was not possible in this case.

Joan, I had no choice of angles, since they were up on the scaffold. But I quickly decided this angle had wonderful dramatic possibilities.

[Maria Nemchuk]

Alex, thanks for the explanation.
I really like the composition!

[Kimberly Dow]

I really love this! It's clearly a portrait, but with such flare and a real sense of the 'figurative' there as well. Your portraits tell a story and give us more information about the subjects than any traditional posing ever could. It's just wonderful.

[Patricia Joyce]

Alex,
Bravo. This is beautiful and I love the subject matter and the composition. Very masculine and appealing!

[Carol Norton]

Alex, I really do love the drama, warmth, and strength that you have captured. Their eyes are so expressive and your brushwork just beautiful. Thank you for posting this. It is a painting from which to learn.

[Garth Herrick]

Dear Alex,

I second everyone's praise. It's a stunning painting and composition, and perhaps my favorite of yours (along with other favorites of yours). Kudos!

To all: I have recently seen this in her studio. The scale has real presense. It's big.

Garth

[Allan Rahbek]

Alex,
wish that I could say like Garth !

Originally Posted by Garth Herrick

I have recently seen this in her studio.

This is a very fine portrait of both the skilled craftsmen as well as the scene.
You have solved the perspective issue brilliantly by showing the diagonal line along the sealing. This being the most dominant line in the painting and the center of interest and key to understanding the scene as well as the perspective of the room.
I also like your brushwork. As I understand, you paint without too much medium. Would you show us some very close ups of the brushwork
Allan

[Jimmie Arroyo]

I also love the story-telling aspect of this, it's a perfect example of space and time. This might sound stupid, but it reminds me of that photo taken of the guys in the movie "The Untouchables". Proud men in the middle of their jobs posing for the camera.

In other words, great!

[Tom Edgerton]

I love the point of view and the way the shadows set up the space.
Great!

[Claudemir Bonfim]

Hi Alex,
Congratulations on this great achievement.
I loved it.