Peter, Tom, Chris, Cynthia, Ilaria, Enzie and Alex, thank you so much for your thoughtful and kind responses.
Peter, in this portrait most of the real darks are simply black which is easy enough to achieve. But the problem I encounter is getting the dark colors as they emerge out of the black background/shadows. To achieve this kind refined finish, I use pastel pencils. I enjoy working this way, but the darks in pencil form (aside from black) are not that dark. So for the really dark tones, I have to switch to some Unison sticks I have (and I don't have that many) which are dark and beautiful. A little awkward but I make it work for me. I'm not sure why the pastel pencils don't go very dark - maybe because they would be too soft and wouldn't hold up to sharpening...? I don't know...
Ilaria, I don't think I'm going to look at Aria again without thinking of Linda! I'm curious what Linda would think of the likeness?
Enzie, you're right, it just takes a few strokes of the right value and chroma to achieve the look of velvet and for that reason it was quite easy. It makes me want to do more portraits with velvet!
Alex, you are extremely perceptive! I think you hit the nail on the head, and as it turns out, I am working on an oil portrait of Aria - and I'm sure there will be more. She's becoming my "go to" model. Not only is she beautiful, but she understands and is enthusiastic about the look I'm after. She has an extensive wardrobe of period costumes, dresses, and understands how important clothing choices are in a painting. She is a delight to work with. Thanks.
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