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Sandra, I think you've done a good job with the limits placed in front of you regarding your reference photos. Also, you have worked well with the superior feedback that Chris and Alexandra have provided. Something else I notice about this piece is a thought you may like to have in the back of your mind as you begin your next portrait. This jumps out at me because I tend to have the same issue: it's too perfect. Your brushwork is so smooth, there is nothing for the eye to "grab" onto. In the painting, the boy's hair is so evenly cut and combed, each and every piece falls perfectly on his forehead and lays in place (just as I am sure his momma would want it to). But in the photo, there is a bit more "attitude" in this little guy. His hair is down over his eyebrows, not 1/4 inch above, as you have indicated. Also, it isn't cut absolutely perfectly straight across, as in your painting. The shirt you have so neatly rendered loses the look of truly being worn by the boy without a wrinkle or any deep shadows or bold highlights.
I have found that when I try to convince a viewer of the authenticity of my work, the more "perfect" I try to render the image, the less convincing it becomes. I see great talent in your work. I would be interested to see you step back, take 30 minutes and paint this portrait again, on a smaller scale, using the biggest brush possible to help you just let go. I have done this exercise with most of my latest paintings and have ALWAYS adored the study more than the final piece. It has also taught me a lot about myself as an artist.
From his mommy's point of view, I am positive she will cherish this portrait forever. You have really blessed her with a treasure. Have a great week.
Mara
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