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Old 06-20-2005, 06:19 PM   #21
Elizabeth Schott Elizabeth Schott is offline
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Chris now that this has been bumped up... how would you feel about using the Wallis paper for workshops? Especially ones you travel long distances too?
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Old 06-20-2005, 07:55 PM   #22
Garth Herrick Garth Herrick is offline
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star Hey, I just saw this one!

Quote:
Originally Posted by Alexandra Tyng
Chris, I know this was posted a while ago but I have a lot of catching up to do, seeing what amazing talent is represented on the forum. I have to tell you this is a fabulous portrait.

Alex
Alex!

Syncronicity is everywhere! One high point of my first-ever visit out west, let alone Arizona, was the privilege of visiting Chris's studio over the weekend (WOW!) and I spied this lovely portrait up on her wall. What a treat Chris! (She is so sweet!). Of course, her portraits look even more stunning in life!

Garth
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Old 06-21-2005, 10:03 PM   #23
Chris Saper Chris Saper is offline
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Garth, Thanks, but you are sweet, and much more stunning in life. I mean it, I really loved our visit. Photos to follow, except that I am presently on Long Island.
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Old 06-21-2005, 10:06 PM   #24
Chris Saper Chris Saper is offline
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Beth,

I love the Wallis paper with oil. Although I haven't considered it, I think it would be a really fun and eye-opening workshop experience. The surface is really unique, as are the results.
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Old 06-21-2005, 10:08 PM   #25
Chris Saper Chris Saper is offline
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Alexandra, Thank you so very much.

I have been traveling the past few days and am just now catching up on all of my unread magazines..and loved your portrait!
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Old 06-21-2005, 11:00 PM   #26
Alexandra Tyng Alexandra Tyng is offline
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Thanks, Chris, did you mean the one in IA magazine?

I'm curious to know whether painting on this sanded board is in any way similar to painting on masonite gesso board?
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