Cadmiums versus No Cadmiums.

Marvin Mattelson · 03-01-2005, 06:40 PM

here is my painting of Samantha available for critique at the invitation of Tim who has promised to post his painting here so that the merits of our respective approaches can be compared. I'm quite interested in hearing what people think. I agree with Tim that this will be most educational. My painting of Samantha was painted using my earth tone based palette.

Marvin Mattelson · 03-01-2005, 06:47 PM

Some pictures of the Mattelson Palette.

David Draime · 03-01-2005, 07:38 PM

So, Marvin, when are you going to finish this painting?

Just kidding. After reading through the color theory thread (very informative and entertaining!) I have some pretty strong opinions about all this, but, to be fair, I will wait until Tim posts his painting. After all, this is about the relative merits of your respective approaches to color, and I don't want to critique anything that isn't actually posted here.

Richard Monro · 03-01-2005, 08:00 PM

Marvin,
Beautiful and luminous. Also tenderly done. I would be interested in knowing the colors you are using and mixing to set up your palette. Is there a thread that discusses your palette?

Kimberly Dow · 03-01-2005, 08:04 PM

Marvin, I have a question, not a critique. With all I have read on some earth colors sinking in - and I've had this happen myself - what do you do to prevent it? I'm finding I can usually even it all out in sheen when I put re-touch varnish on it - but I get jittery when having to explain this to clients if they see it in progress. I can oil it a bit, but that fades and I worry about yellowing later.

Kimberly Dow · 03-01-2005, 08:21 PM

By the way - Im pretty sure Tim is already gone for his workshop somewhere. I am sure he will post when he gets back though.

Rob Sullivan · 03-01-2005, 11:13 PM

Marvin-

Would you mind posting the uncropped version of this, as well? I know this is all about cads v. no cads in flesh, hence the closeup - but I would like again to see the interplay of the roughed-in sections against the finished areas. This piece is the first time I'd ever seen you do this, and it really grabbed me when it was unveiled.

I know I can see it in another thread - but for anyone new, I'm sure they would love to see the full view. Plus - I'm too lazy to go find it

I'm looking forward to Tim's post, as we shall see what we shall see.

Marvin Mattelson · 03-01-2005, 11:23 PM

David, once they made the mistake of paying me I stopped working on it. They never knew the difference. All kidding aside, I'm looking forward to the opinions you've formed.

Richard, the top row is mixed from White, Raw Umber and Ivory Black. The next row is Yellow Ochre lowered with Raw Umber. The Yellow Ochre is lightened with Yellow Ochre Pale which is in turn lightened with White. The third row down is Terra Rosa lightened with White lowered with Black. The bottom row is Indian Red lightened with White and lowered with Black. I call it the Mattelson Palette. I named it after my Dad.

Kim, as the layers get built up and oiled out they sink in less. I use retouch at the end where needed. My strategy regarding my clients reaction to the painting in progress is to blow them away with the beauty of the painting so they don't notice the other stuff. If properly planned the painting should look good from out the shoot. It works every time.

My feeling is that Tim won't post his paintings at all.

Allan Rahbek · 03-02-2005, 06:34 AM

Marvin,
I would like to thank you for all your enthusiasm and willingness to share your hard earned knowledge with us students.
I realize that I have not yet payed my tribute to this wonderful painting, though I have often meant to. I keep coming back to it for studying.

Often when I look at a painting that impresses me I find it hard to analyze the technique. It seems that something undefinable makes a unity to the painting, that can not be torn apart as color, value or drawing.
This is on of these paintings and that is why I keep coming back time after time to enjoy it.

When Tim sees this I want to point out that it is not a demonstration against his points of view. I find his way of painting very inspiring as well. I just realized that I had not commented this painting before.

Allan

Geri Comicz · 03-02-2005, 06:54 AM

Hi all,

Marvin,
Lovely palette! Do you premix, then tube your colors for future use or do you mix fresh with each session?

Just curious as I was wondering how tubing maintains the freshness of the paint.

geri