[Peter Dransfield]

I confess that I get turned on by discovering and correcting errors in my work. There is nothing better than staring at a piece trying to work out why something doesn't look right and then finding the culprit. Fortunately I make rather a lot of errors and since I never find them all at the beginning of the process I get to prolong the pleasure of correction throughout the painting or drawing. What a boring job art would be if we eliminated these moments.