Thread: Genesis paints
View Single Post
Old 08-30-2002, 11:05 PM   #19
Michael Fournier Michael Fournier is offline
Associate Member
FT Pro / Illustrator
 
Michael Fournier's Avatar
 
Joined: Dec 2001
Location: Agawam, MA
Posts: 264
Send a message via AIM to Michael Fournier
Paints and toxic fumes

Well, I know what I am dealing with when I use traditional oils. History shows me that plenty of artists that used traditional oil paints, many still using lead white, lived to a nice old age. I myself do not expect to live forever and I do not see any higher early death rate among artists and illustrators vs. any other profession. And there is no question as to the longevity of their work. As for the toxins in oil paints and solvents, if you are aware, and barring any allergic reaction, you can avoid any complications due to exposure. Don't eat near or while painting, keep your studio space well ventilated and be careful how you dispose of your solvents. And you should be fine.

As for the longevity of acrylic resin paints vs. oils, I see no reason they won't last as long or longer then some of the paintings of the early masters. Many paintings of early classical painters of the past show many signs of deterioration like cracks, chipping and yellowing, as well as colors that have darkened so much that only a slight hint of the original beauty shows today. And, Marvin, is Acrylic Gesso not a plastic base? I have used it exclusively and have never had a painting crack or show any signs of deterioration because of it. That said, of course none of my work has been around that long to show what will happen in, say, 50-100 years, but if my work holds up at least better then Maxfield Parish's work I will be happy.
__________________
Michael Fournier
[email protected]
mfour.home.comcast.net/~mfour/portraits/
  Reply With Quote