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I'm becoming more interested in pastels by the second! The range of approaches seems infinite. Garth, you were working only in soft pastels, then we have the Gwynneth Barth demo, hard to soft, and I'm thinking of Judy Carducci's wonderful demos, too.
Thank you for sharing the reference photos, Garth. Maybe the likeness wasn't the most important thing, but you've definitely caught it. I didn't realize he was the same boy that was in that other painting. (It's obvious now that I know.)
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