[Ramon Deslauriers]

Dear Karin,

I checked out your underpainting example and it helped a lot. Though I have a few questions about color choice and the role underpainting plays in the application of color.

First of all, I know that there are no "black and whites'" in art but, I noticed that raw umber and titanium white is a staple mix for the underpainting. Is this used pretty much all the time or are the underpainting color choices picked depending on the overall feel of the painting? For instance, would a cooler color choice give a cooler painting?

Secondly, I looked at the site you suggested on underpainting with a peak at Vermeer's technique. One thing they mentioned that confuses me is that Vermeer only glazed certain parts of the painting to allow the underpainting to show through. What was done with the rest of the underpainting that wasn't glazed? I'm getting ready to work on a copy of a master work and was going to glaze the whole darn thing. Is that what I should be doing?

I know this is a lot to ask and would appreciate any insights you'd be kind enough to offer.

One other thing, when are you coming out with your first book? You've always offered consistently good information in a way that is clear and consise.

Thanks again,
Ramon Deslauriers