View Single Post
Old 06-10-2005, 08:58 PM   #6
Chris Saper Chris Saper is offline
SENIOR MODERATOR
SOG Member
FT Professional, Author
'03 Finalist, PSofATL
'02 Finalist, PSofATL
'02 1st Place, WCSPA
'01 Honors, WCSPA
Featured in Artists Mag.
 
Chris Saper's Avatar
 
Joined: Jun 2001
Location: Arizona
Posts: 2,481
Richard and Alexandra,

Alexandra, I think you have posted one of the most succinct descriptions I've seen on the nature of grays and color temperatures.

I will also use a combination of complementary mixed grays ( based on Steven Quiller's comprehensive research), as well as the neutral grays. (Not to be redundant in the Department of the Redundancy Department).

I use a hybrid of neutrals somewhere between Daniel Greene's and Bill Whitaker's palettes:

A warm neutral: raw sienna and black, about 6:1

A cool neutral: Grumbacher's ( brand specific, it's cooler) raw umber

And a neutral neutral: Gamblin's Asphaltum

A little flake white will show the dramatic temperature differences each will yield.
__________________
www.ChrisSaper.com
  Reply With Quote