SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Richard and Alexandra,
Alexandra, I think you have posted one of the most succinct descriptions I've seen on the nature of grays and color temperatures.
I will also use a combination of complementary mixed grays ( based on Steven Quiller's comprehensive research), as well as the neutral grays. (Not to be redundant in the Department of the Redundancy Department).
I use a hybrid of neutrals somewhere between Daniel Greene's and Bill Whitaker's palettes:
A warm neutral: raw sienna and black, about 6:1
A cool neutral: Grumbacher's ( brand specific, it's cooler) raw umber
And a neutral neutral: Gamblin's Asphaltum
A little flake white will show the dramatic temperature differences each will yield.
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