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Thich,
I have no idea where the suggestion to add green to help value transitions comes from and given the fairly monochromatic treatment of flesh color in your painting so far, I would not advise its use. A new hue will look entirely out of place I believe.
The hard edge running the length of the nose is not likely in reality. There are usually several areas where the form is more rounded and softer such as the space above the nose bridge and the full shape at the tip.
I would suggest blending these areas so the edge is softer at these points. Also carry some of the shadow under the nose.
You have a nice reflected light on the shadow side cheek and a little of that same reflected light should show in the shadow area of the nose and nostril.
Some reflected light might help define the upper lip on that side also. I see little or no form so far.
A little more shadow to define the chin will help. The same strong light that causes the nose shadow would also be evident on the chin.
Jim
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