Freja
 

This is a small study I made today.

It is oil on copper and the size is 11 x 9" / 29 x 22 cm

Oh, Allan, it is delightful!

I've never worked on copper, but would love to learn more about the whole process - by any chance did you take any photos of the in-process work? If not, would you next time?

Delightful and so full of life! I love the bold composition and brushwork too.

Garth

I love it!

Beautiful, Allan. Looks so effortless. I would also like to try copper one day.

I can see this one day being in a nice big coffee table book about contemporary Danish masters.

The combination of copper and green in the background is just gorgeous. I had never heard of painting on copper before but I am very interested, please share more info. What sort of treatment (if any) did you give to the plate before painting? Are you concerned at all about the exposed copper oxidizing and changing color? Are you going to apply a varnish to it (maybe this would solve the problem)? Any historical precedence (that you know of) of artists painting on copper? (Just wondering how it holds up over time). Did you find it a more difficult surface to paint on? I would think it would be so slick. Does it take the paints longer to dry? Do you have more examples with different color combinations? So many questions!

I am going to be digging through my things today to see if I have any un-used copper plates from the intaglio days. Ugghh! How I have missed you copper!

A beautiful and intimate portrait. Well done!

David

This is a wonderful portrait. I especially love your handling of oils on copper in this instance, love that it is an important part of the overall work and that it really, really works!

Allan it is beautiful!

Thank you, all :) :) :)

Painting on copper is quite uncomplicated.

First I fixed the copper plate to a fiberboard panel with a stabble across each corner of the copper plate.

Cleaned the surface with turpentine and tissue and then scumbled over the whole panel with undiluted paint using a bristle brush. This made a foundation suited for further application of paint.

Then some marks for drawing and impasto paint.

I once before tried to paint on copper, but thinned the paint too much. Thinning is a no no because the copper is non absorbent. That time I gave it up without a fight.

I don't think that oxydation will occure when the copper plate is varnished.

Rembrandt and others have painted small pictures on copper. They seems to be in perfect condition.