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Figure on Stage
1 Attachment(s)
This is oil on canvas, 20" x 24".
It is going to the Blackheath Gallery in London, UK (along with a few other works) in September. |
Your work doesn't fit the mold. For that you are to congratulated. In a world where artists are busy copying each other, you really stand out.
Nice piece. |
Thank-you very much, Jeff.
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Thomasin,
I like how the face of the main figure has an almost tactile quality to it; the texture and the "material" of the skin is very much there and it gives the painting a very strong presence. The stare is very intriguing and I |
Well,
One cannot simply say lovely or well done with one of your paintings. You actually have to look at them, which is what I did again before writing this. They seem carved out of a very luminous wall. They really aren't like any one elses as Jeff has so correctly noticed, but quite compelling and your very own. Hmm, I saw Balthus mentioned on your blog. He has a very 'beautiful' large standing nude at the Metropolitan Museum of Art. Some of his work has a disturbing quality to it, which I cannot put a finger on. |
Thank-you Carlos and Sharon. Carlos, I'll get the links for the drawings soon (must get back to painting). One of them is a landscape, or maybe both - I haven't decided yet - so I can't post them here. I appreciate you interest!
Balthus' work is quite like the looking glass world of Alice, without the childlike innocence (if it really is that innocent), perhaps. |
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Thanks for taking the time to send the links, Thomasin. It
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I love these, Thomasin! Your color use is so rich.
You say you're not sure which drawings to send? Can we vote? I vote for definitely including that tree done in red/sanguine. You can really feel the solidity of it (and I'm not a landscape fan). |
Thank-you Julie. Yes, I am glad you voted. The tree is the one I like the best too, although the willowy black branches has a feeling of old English landscape art, so I thought since it was going to be exhibited in the UK ... Perhaps both, then.
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