Sharon,

I got the paper at my local art supply store. They have many different types of these specialty papers draped over dowel rods. I don't know if it is hand made, I'm not sure what that means. I would guess that it is wood fiber.

As far as problems with the surface -- I don't think I had any beyond what you might expect from such an organic surface. It is pressed about as tight as it can be, but there is plenty of texture to it. These leaves are not just pictures of leaves, they are real leaves. However, I found that if you make your mark, do your business and move on, it remained pretty stable.

As far as the oil seeping -- I think it was more visible in the first few days than it is now. It seems to have soaked in and dissipated.

I bought some of the Golden Archival spray varnish. After testing it on scrap I've decided not to use it. Because of the rather furry nature of the surface, even if not completely visible, the varnish will end up suspending over the surface on these tiny furry particles -- not a good thing.

I've had this frame for a long time. It's made of solid pine and is a real chunk.

Mike--

This is a really interesting and delightful piece. It will be a reminder to me to ALWAYS be challenging myself and to try new things. (Nice frame too.)

Thanks a lot--TE

Thank you Tom.

I did entertain myself with this.